Smartphone technology improved the quality of cheap sensors and computing power and.GPS positioning technology improved precise control over a drone.LiPo technology improved the battery life of drones.But in the years following, technological advancements made these drones more accessible to other sectors: In the mid 2000s, camera-equipped flying robots were making headlines for infamous Israeli reconnaissance missions and America's capture of Bin Laden. It seemed as if aerial footage would remain a luxury in filmmaking-until Hollywood caught whiff of technological advancements to military drones. Few productions could afford to rent a helicopter for a five-second aerial shot, and those who did were often disappointed to find that the regulatory (helis have to fly above 1000 feet) and technical limitations hindered their vision for an aerial shot. The democratization of camera flightīetween the 60's and early 2000's, dozens of films used helicopters as camera platforms-but that was still less than one percent of the films that came out of Hollywood each year. It seemed as if aerial footage would remain a luxury in filmmaking-until Hollywood caught whiff of technological advancements to military drones. Filmmakers had more options for where and how a camera is flown through the air. An aerial shot no longer required death-defying aviation stunts and thrill-seeking talent. The Tyler Camera Mount cemented aerial shots as a part of cinematography. Even the best pilot couldn't do anything about the helicopter's shakes and sudden movements that often compromised aerial footage. Although a handful of directors attempted to add an overhead shot to their repertoire in the late 40's and 50's, the footage was almost always deemed useless. Although the scene didn't make it in the final cut, it still marked the first film where a helicopter was used as a camera platform.Īerial scenes often were excluded from films during the editing process. According to a 1945 issue of The Hollywood Reporter, the film The Bandit of Sherwood Forest (1946) had a custom-built helicopter with a camera in the cockpit to shoot the storming of the castle. The civilian helicopter was invented in 1946-but a cameraperson might have flown in that helicopter before any paying civilian had. It was the invention of the gimbal that literally raised the ceiling for filmmaking. Its speed and wind-induced shaking meant that it wasn't conducive to capturing action on the ground. While a plane was the first device used for aerial cinematography, it was not considered a camera platform in its own right.
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